Praise for How to Write an Autobiographical Novel:
Named a Best Book by:
TIME, Washington Post, Entertainment Weekly, NPR, Wired, Esquire, Buzzfeed, New York Public Library, Boston Globe, The Paris Review, Mother Jones,The A.V. Club, Out Magazine, Book Riot, Electric Literature,PopSugar, The Rumpus, My Republica, Paste, Bitch,Library Journal,Flavorwire, Bustle, Christian Science Monitor,Shelf Awareness, Tor.com, Entertainment Cheat Sheet, Roads and Kingdoms, Chicago Public Library, Hyphen Magazine, Entropy Magazine,The Chicago Review of Books, The Coil, iBooks, and Washington Independent Review of Books
Finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay
Finalist for the Lambda Literary Award for Gay Memoir/Biography
Finalist for the Publishing Triangle's Randy Shilts Award for Gay Nonfiction
Longlisted for the Carnegie Medal of Excellence in Nonfiction
One of Min Jin Lee's Summer Reads in the Washington Post
One of Curtis Sittenfeld's Summer Reads in the Guardian
A Publishers Weekly Top Ten Book of 2018
"Alexander Chee is one of the best living writers of today. If he’s not already a household name, he needs to be…powerful, powerful essays with powerful, powerful words…"
—Buzzfeed's Isaac Fitzgerald, on NBC's TODAY
"If writing, too, is a form of drag for Chee, it is also an act of mystic invocation and transference...Chee leavens his heaviest topics—the decimation of the gay community in the late 1980s and early ’90s, the repressed memory of sexual abuse that inspired Edinburgh—with charming episodes like his stint as a waiter at William and Pat Buckley’s Park Avenue maisonette, a job that prompted a crisis of conscience given Buckley’s infamous proposal to brand AIDS patients on their wrists and buttocks...Even at his most mystical, Chee is generous; these pieces are personal, never pedagogical. They bespeak an unguarded sincerity and curiosity. Chee is refreshingly open about his sometimes liberating, sometimes claustrophobic sense of exceptionality...He reminds us that whomever a writer pictures as his audience, he is also writing into absence, standing in testimony for the sake of the dead. Like most of the essays here, 'After Peter' pulses with urgency, one piece from a life in restless motion. It is not necessary to agree that How to Write an Autobiographical Novel is itself a kind of novel in order to appreciate that Chee has written a moving and personal tribute to impermanence, a wise and transgressive meditation on a life lived both because of and in spite of America, a place where, he writes, you are allowed to speak the truth as long as nothing changes.'"
—New York Times Book Review
"Two-thirds of the way through Alexander Chee's How to Write an Autobiographical Novel, I abandoned my sharpened reviewer's pencil in favor of luxuriating in the words. Chee's writing has a mesmerizing quality; his sentences are rife with profound truths without lapsing into the didactic...Chee is a very special artist; his writing is lyrical and accessible, whimsical and sad, often all at the same time. No doubt he is an inspiring writing teacher as well. His views on writing reflect his own, thoughtfully examined life."
"As Chee’s gaze turns inward, he beckons readers to experience his private moments with such clarity and honesty that we’re immediately brought into his consciousness. At the same time, he asks us to contemplate the largest questions about identity, sexuality, family, art and war...[A] trailblazing collection...By the end of this moving collection, we learn through Chee’s experiences that to be a writer is to continuously reconsider the self, to find what drives you even in moments of despair."
"Alexander Chee’s marvel of a collection opens with the sting of clarity...The 16 essays that knit together his profound and resonant collection are a nimble study in radical self-invention...The revelations that follow crackle with the same glowing, essential truths."
"Chee’s insights about writing, love and activism are hard-won, honest and incredibly wise."
—Curtis Sittenfeld, Guardian
"The latest brilliant fiction writer to publish a new essay collection this year...Alexander Chee proves why he’s a master of the form. How to Write an Autobiographical Novel meditates on how art shapes who we are, unpacking its author’s own coming-of-age as a gay Korean man to craft persuasive, engrossing arguments."
"As profound as they are beautiful, Chee's essays impart wisdom from a life fully lived, and speak to what it means to be a writer and reader in contemporary times."
“Alexander Chee published Edinburgh, a singularly beautiful and psychologically harrowing first book that still stands as one of the best American novels of this century. Now, he’s published How to Write an Autobiographical Novel, a first book of essays that is just as good, and almost as singular, as his novelistic debut…How good is How to Write an Autobiographical Novel? It’s so good that I could fill my word count just with quotations…one of its beauties is how simultaneously shaped and flexible it is, both thematically coherent and varied in subject matter…Chee’s particular style of mind and habits of moral engagement hold the collection together; every essay, no matter the subject, exhibits warmth, rigor, tact…The mask conceals and it reveals; writing transfigures and it uncovers. That’s the gift that writing has given Chee, and it’s the gift that his wonderful new collection gives its readers.”
—The Boston Globe
"A searing examination of the costs of writing...achingly vulnerable."
"A deeply probing exploration of being a writer, an activist, gay, and half-Korean all at once. Hewing to his own advice as a teacher, he places no limits on the questions he asks of himself and of the reader, which feel at once overwhelmingly intimate but strikingly universal...How to Write an Autobiographical Novel is filled with the uncertainty that comes with feeling your sense of self forming. It is, at once, a memoir and a survival guide for being your most authentic self."
"A knowing and luminous self-portrait."
—O, the Oprah Magazine
"Chee’s essays convey the effect of new forms being invented before your eyes. His book is a fragmented portrait of the young artist donning and shedding various masks. Chee makes use of conventional vehicles — the memoir, the list, the litany of didactic aphorisms — to arrive at moral and aesthetic discoveries that you sense he didn’t see coming himself."