Ramshackle Ode

Ramshackle Ode

by Keith Leonard

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A sparkling debut collection from a Pushcart Prize-nominated poet that makes an ecstatic argument for living 

 

Containing joy and suffering side by side, Ramshackle Ode offers elegies and odes as necessary partners to bring out the greatest power in each. By turns celebratory, meditative, tender, and rebellious, these poems reimagine the divisions and intersections of life and death, the human and the natural world, the brutal and the beautiful. Time and again, they choose hope. 

 

From an award-winning young poet in the tradition of Marie Howe, Walt Whitman, Gerald Stern, and contemporary American bard Maurice Manning, Ramshackle Ode presents a new voice singing toward transcendence, offering the sense that, though this world is fragile, human existence is a wonderfully stubborn miracle of chance.

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  • Format: Paperback

  • ISBN-13/EAN: 9780544649675

  • ISBN-10: 0544649672

  • Pages: 112

  • Price: $17.95

  • Publication Date: 04/05/2016

  • Carton Quantity: 48

K
Author

Keith Leonard

KEITH LEONARD's poems have appeared in Best New Poets,Copper Nickel, and Gulf Coast, and have been nominated for Pushcart Prizes. A winner of the Beacon Street Prize and scholarships at Bread Loaf and Sewanee Writers' Conference, he earned his MFA at Indiana University.
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  • reviews

    "Intriguing and triumphant, Leonard’s collection embodies the subject matter it so aptly depicts, whether it’s a storm or steeple or meadow."—Booklist 

     

    "In his lovely first collection, Pushcart Prize nominee Leonard offers poems both tough and tender about becoming a man—effectively so, as these works are not full of false bravado but touching reflection...Charmed and sturdy poems for a wide range of readers."—Library Journal 

     

    "Keith Leonard’s Ramshackle Ode is a brilliant, heart breaking, sometimes funny, always surprising celebration of love and attachment, of all the ways our connection to others—friends, lovers, children—makes us hostages to fortune. The force of imagination and the urgent desire to praise, to care for and cultivate is always at every point tested by the equal force of depredation and defilement. This is a terrific and memorable first book. Leonard’s voice is powerfully distinct and fresh, and it’s one I’m sure we’ll be hearing with gratitude for years to come."—Alan Shapiro 

     

    "The poems in this solid collection offer praise for the everyday world, even if coming to terms with that world entails a measure of surrender.  That world is given to us, we are included in it, and yet the heart and the mind must be pried open in order to receive and realize how much of that world may lie beyond us.  Poetry is the ages-old means to see beyond, to glimpse what’s out there and to praise even what we don’t yet know.  These poems do not linger on grief; instead, they reveal a heart that has been opened to love and a mind flung out to wonder.  That is the solemn human journey.  No rest for the wicked, is the common expression.  No rest for the joyful and compassionate either.  That is the discovery these poems field, like pop-flies and grounders in a backyard baseball game played so long ago in youth it has the resonance of myth.  These poems have earned their wisdom, and this book is a gift I happily hold in my hands."—Maurice Manning 

     

    “If you want to know what the good, serious, work—by which I mean digging and plowing and axing and building and sewing and holding—of joy—which includes, yes, no kidding, sorrow, loss, heartbreak, the whole abundant mess—might make of the world, of a family, of a life—goddamn, goddamn—I think this book might give you an idea.  It’s kind of the hardest work, joy.  Which makes Ramshackle Ode one of the hardest working books I’ve read in a long time.”—Ross Gay 

     

    Ramshackle. Synonyms: neglected, gone to rack and ruin, beat-up—and aren't we? Isn't our house in tumbledown? Somedays it seems it's all getting to be too much now, that you're beat up just by living. Ramshackle Ode is more than a great book of poems, it's a tent revival, a people's sweaty redemption. Keith Leonard has come right in the nick of time to remind us: inside each our hearts thumps an ecstatic hot night of healing, and raise that tambourine! —hallelujah be, there's still a song, goddamnit there's still a chance to sing.” 

    —Rebecca Gayle Howell

  • excerpts

    KEEL 

      

    That half-moon smooth beam, 

    I think someone made it because 

    they had a spine and wanted 

    to make a stronger one, 

    and they sent the little skiff 

    out to sea for years, 

    and it went on boot-thudded 

    and shoal-scraped, 

    and it went on boot-thudded 

    and shoal-scraped, and it held 

    all the while like it holds 

    in the boatyard, though 

    it is belly-up on blocks 

    to keep out the rain, now, 

    and it does rain here, 

    and did again this morning 

    when I was walking your dog, 

    Love, thinking how I, too, 

    have been boot-thudded 

    by love, I was my own 

    storm once, so young 

    and eager to raise the sail 

    of my wanting, and I just wanted 

    to tell you I love this old boat, 

    this settled-in thing. 

      

      

      

    THE DOUBLING 

      

    Though the rain tastes like nickel 

    it is not blood, but like blood 

    makes the child, rain plumps 

    the melons beneath thick leaves 

    this summer, and each summer, 

    and it’s a genius I rarely think of, 

    this world swelling, the hay field 

    rising, and I was not ready 

    for my love to be suddenly 

    amplified by the ultrasound, 

    but it was, the little heart drummed 

    over the speakers, and the room 

    swelled, and it hurt the good hurt, 

    and though the June bugs 

    beat against the night, the sound 

    is not a heart, but like the heart 

    it is dumb in its brazen pulse 

    and smack-the-screen joy, 

    and like the heart there are billions 

    here, each alive and mostly well, 

    here, where two legs pressed 

    against two legs become six legs —  

    and that is not an impossible math. 

    I could believe the world only wants 

    to double. The hay field rising 

    into seed. The June bugs’ dumb love 

    lifting the night to its feet. 

      

      

      

    BECOMING THE BOY 

      

    First, let me admit I am a counterfeit. 

    A sleek composite. The fourth 

    meal of the day is paraphernalia. 

    Which is another way to say, I learned 

    how to man, and I worry 

    when I’m not careful, I drown out 

    the seven parts of me 

    with one abominable baritone. Should 

    sounds so much like shove, 

    doesn’t it? It gutters the cold rain 

    and dumps it on your head. 

    The soil grows whatever it’s fed. 

    Everything entering the ear takes root. 

    And speaking of dirt, think 

    of the dandelion weed — those 

    little puffs blundering the backyard 

    with their furry spray lifting to flight. 

    All it takes is a weak fiasco of wind. 

    But first, the bulb must bloom yellow —  

    and pretty even — from a knot 

    as tight as solitude. And still it scatters 

    like a fist of warm dice. You too 

    began curled and cooed awake, 

    then some blue lung began to chant 

    a boy should this and a boy should that, 

    and you shouldn’t listen, little 

    corn-shuck, it’s a strange song, 

    mostly sad and hard to dance to. 

      

      

    STRAWBERRIES FOR DINNER 

      

    Good for the strawberry 

    for wearing all its seeds on its skin —  

    too few things say here’s all of me 

    like that — not the apple 

    and its wooden center stones, 

    not the peach’s chipped-tooth pit, 

    not me in my muddy work shirts, 

    which I generally ditch 

    after slumping home at the end of the day 

    the instant I hear the front door click. 

    So tired I become working days like this, 

    I could believe the mime’s 

    gloved hands pressed against 

    the almost plastic case 

    placed one foot around him. 

    Limit is a cocky fellow: 

    a pallbearer in a vibrant suit. 

    He named his daughter Bootstrap. 

    He loves the word “retirement.” 

    He thinks the myth of Icarus 

    should be printed on the back 

    of every birth certificate. 

    That’s a cautionary tale I think 

    he’s wrong about. The boy fell. He did. 

    But what about the blooming hurt 

    gnawing at his shoulders as he rose? 

    It must have been excruciating. 

    His comfort melted long before the wings. 

    There must have been a moment 

    he could go no further, 

    and yet, he did.

Available Resources

Related Categories

  • Format: Paperback

  • ISBN-13/EAN: 9780544649675

  • ISBN-10: 0544649672

  • Pages: 112

  • Price: $17.95

  • Publication Date: 04/05/2016

  • Carton Quantity: 48

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